1. Anna Baydak “Sayless” (Germany) Pal, Colour, Sound, 2016.
Concept:
Main idea is to convey sensations from personal experience that was lived through in Iceland. Experience about uselessness and unimportance of words, need for silence, that can express much more than something said. That is why the word «silence» slowly transforms to «sayless», like an organic whole, immortalized in marble truth.
This conversion is accompanied by music made only from "sounds of silence" recorded in Iceland, that is physically impossible to capture that is why it contains nature and surroundings. Track composed from different layers like the noise of hot stream to the voices of geese.
The concept of silence experience is the major thought of the work by gaining it you will have an opportunity to hear the inner rhythms and turn your thinking into the minimalistic modesty.
2. Caroline Schwarz “Doors of Perception” (Germany) Pal, Colour, Sound, 2016.
Concept:
The limitation of perception causes the fear of the unknown. The unknown seems unimaginable. We don’t experience it: So do we only see what we know?“Doors of perception” is a fairy tale in black light. In a world where the unknown is black infinity an individual wakes up and has to look for her ways in darkness. She sets o to search for the familiar, the trustworthy. But does the truth lie in the visible?
Concept:
Main idea is to convey sensations from personal experience that was lived through in Iceland. Experience about uselessness and unimportance of words, need for silence, that can express much more than something said. That is why the word «silence» slowly transforms to «sayless», like an organic whole, immortalized in marble truth.
This conversion is accompanied by music made only from "sounds of silence" recorded in Iceland, that is physically impossible to capture that is why it contains nature and surroundings. Track composed from different layers like the noise of hot stream to the voices of geese.
The concept of silence experience is the major thought of the work by gaining it you will have an opportunity to hear the inner rhythms and turn your thinking into the minimalistic modesty.
2. Caroline Schwarz “Doors of Perception” (Germany) Pal, Colour, Sound, 2016.
Concept:
The limitation of perception causes the fear of the unknown. The unknown seems unimaginable. We don’t experience it: So do we only see what we know?“Doors of perception” is a fairy tale in black light. In a world where the unknown is black infinity an individual wakes up and has to look for her ways in darkness. She sets o to search for the familiar, the trustworthy. But does the truth lie in the visible?
3. Christian Sievers “Über Cyber” (Germany) Pal, Colour, Sound, 2016.
Concept:
As you are approaching the spiral it's easy to underestimate its length. The distance from its edge to the center is just five meters, but the route is around 180 m long. Walking into it, you realise there is quite a bit of distance to cover, and you fall into some kind of automatic trot. March music lends itself to that kind of situation, but the spiral makes you dizzy. There are people coming towards you, the corridor is too narrow to easily fit two, so there are traffic jams and blockages. You have to negotiate, make eye contact and make room for each other. It's awkward, but it's OK if you communicate and don't take it too seriously. Marching doesn't work.
4. Denise Winter “Von O nach B (from O to B)” (Germany) Pal, Colour, Sound, 2016.
Concept:
The video shows a drive through a tunnel, which partly keeps the view of the passing, snow-covered landscape on one side. Depending on the speed, the landscape as such or only bright stripes are recognizable. The projection of the video takes place on windows and shutters or in room corners - depending on what the exhibition space gives to the projection surface.
5. Diego Vivanco “The Wait” (Spain) Pal, Colour, Sound, 2.54 min.,
Concept:
As you are approaching the spiral it's easy to underestimate its length. The distance from its edge to the center is just five meters, but the route is around 180 m long. Walking into it, you realise there is quite a bit of distance to cover, and you fall into some kind of automatic trot. March music lends itself to that kind of situation, but the spiral makes you dizzy. There are people coming towards you, the corridor is too narrow to easily fit two, so there are traffic jams and blockages. You have to negotiate, make eye contact and make room for each other. It's awkward, but it's OK if you communicate and don't take it too seriously. Marching doesn't work.
4. Denise Winter “Von O nach B (from O to B)” (Germany) Pal, Colour, Sound, 2016.
Concept:
The video shows a drive through a tunnel, which partly keeps the view of the passing, snow-covered landscape on one side. Depending on the speed, the landscape as such or only bright stripes are recognizable. The projection of the video takes place on windows and shutters or in room corners - depending on what the exhibition space gives to the projection surface.
5. Diego Vivanco “The Wait” (Spain) Pal, Colour, Sound, 2.54 min.,
2014.
Concept:
The first starting point of this project is the most important German Romantic painter Caspar David Friedrich and his fascination with the relationship between man and nature. This Idea is present in many of his paintings of people observing an immense landscape, turning their backs to the viewer. The second point is the confrontation with the idea of destruction, the aesthetics that belongs to it and the impact that this has on our society. Nature and Destruction awake in us feelings of something sublime and extraordinary. Both share an intrinsic and overwhelming essence. In the video you can see me standing with my back to the camera, against a magnificent field of blossoming canola. After a while, an explosion occurs in the middle of the field, which confuses the viewer, making him wonder about the relationship between all variables. The video celebrates the encounter between man, nature and destruction.
6. Diego Vivanco “Not Understand” (Spain) Pal, Colour, Sound, 4.22 min.(Loop), 2012.
Concept:
In the video "Not understood" I use the flag telegraphy system "Flag semaphore" which is directly connected with corporal movements. The video plays with the communication means of flags signal which normally are used at sea and in mountaineering
Concept:
The first starting point of this project is the most important German Romantic painter Caspar David Friedrich and his fascination with the relationship between man and nature. This Idea is present in many of his paintings of people observing an immense landscape, turning their backs to the viewer. The second point is the confrontation with the idea of destruction, the aesthetics that belongs to it and the impact that this has on our society. Nature and Destruction awake in us feelings of something sublime and extraordinary. Both share an intrinsic and overwhelming essence. In the video you can see me standing with my back to the camera, against a magnificent field of blossoming canola. After a while, an explosion occurs in the middle of the field, which confuses the viewer, making him wonder about the relationship between all variables. The video celebrates the encounter between man, nature and destruction.
6. Diego Vivanco “Not Understand” (Spain) Pal, Colour, Sound, 4.22 min.(Loop), 2012.
Concept:
In the video "Not understood" I use the flag telegraphy system "Flag semaphore" which is directly connected with corporal movements. The video plays with the communication means of flags signal which normally are used at sea and in mountaineering
communication. Firstly, I draw attention to myself and the flags ("a call") and then I display "Not understood" as long as my arms can hold. With this work I question communication. At the same time I show my fundamental lack of understanding the functioning of contemporary society.
7. Diego Vivanco “Somos (We Are)” (Spain) Pal, Colour, Sound, 1.07 min., 2011.
Concept:
A Video work in which I approach differences of opinion and the idea of "swimming against the current". In the video you can see me walking in direction of the camera while the people around me, against all probability, are walking backwards. The crowd as a metaphor of a barely reflective and aligned society, the herd which continues the way without questioning anything. At the end of the video I say my name to the camera with the same function as when the artist signs the picture playing with the reverse effect.
8. Evamaria Schaller “DOZE” (Austria) Pal, Colour, Sound, 11.54 min., 2017.
9. Felix von Klitzing “Silver Lining” (Germany) Pal, Colour, Sound, 4.35 min., 2018.
Concept:
Silver Lining is about imaging an imaging system for further
7. Diego Vivanco “Somos (We Are)” (Spain) Pal, Colour, Sound, 1.07 min., 2011.
Concept:
A Video work in which I approach differences of opinion and the idea of "swimming against the current". In the video you can see me walking in direction of the camera while the people around me, against all probability, are walking backwards. The crowd as a metaphor of a barely reflective and aligned society, the herd which continues the way without questioning anything. At the end of the video I say my name to the camera with the same function as when the artist signs the picture playing with the reverse effect.
8. Evamaria Schaller “DOZE” (Austria) Pal, Colour, Sound, 11.54 min., 2017.
9. Felix von Klitzing “Silver Lining” (Germany) Pal, Colour, Sound, 4.35 min., 2018.
Concept:
Silver Lining is about imaging an imaging system for further
personal exploration of the interface between the mind, its human imaging system and the outside imaging systems.
Felix von Klitzing, born in 1992 and raised in a small village near Jülich, Germany, is interested in music, its connection to visualization and video art. After completing his bachelor's degree in philosophy in 2017 at the Heinrich HeineUniversity, he began studying at the Art Academy Düsseldorf.
10. Fins Wagner “I thought it would feel good... And I was right” Part I (Germany) Pal, Colour, Sound, 2017.
11. Fins Wagner “I thought it would feel good... And I was right” Part II (Germany) Pal, Colour, Sound, 2017.
Concept:
A screen sinking into the flesh-colored foam shows different experiences of different materials, Found footage and 3D animations are blended together. The material simulated here only becomes tangible and real following the beholder’s experience of immersion. The second screen shows scenes from gatherings that are often related to violence. The arm creates the illusion that you are filming these events yourself. A device that reduces sentiments and participation stands between the perceiver and the event. The works are located between crowded, digital information overload and media stupefaction in everyday events. [Hermann Nöring]
Felix von Klitzing, born in 1992 and raised in a small village near Jülich, Germany, is interested in music, its connection to visualization and video art. After completing his bachelor's degree in philosophy in 2017 at the Heinrich HeineUniversity, he began studying at the Art Academy Düsseldorf.
10. Fins Wagner “I thought it would feel good... And I was right” Part I (Germany) Pal, Colour, Sound, 2017.
11. Fins Wagner “I thought it would feel good... And I was right” Part II (Germany) Pal, Colour, Sound, 2017.
Concept:
A screen sinking into the flesh-colored foam shows different experiences of different materials, Found footage and 3D animations are blended together. The material simulated here only becomes tangible and real following the beholder’s experience of immersion. The second screen shows scenes from gatherings that are often related to violence. The arm creates the illusion that you are filming these events yourself. A device that reduces sentiments and participation stands between the perceiver and the event. The works are located between crowded, digital information overload and media stupefaction in everyday events. [Hermann Nöring]
12. Fins Wagner “Untitled” (Germany) Pal, Colour, Sound, 2015. Concept:
This work deals with the relation and dependance between an object and its surface. Normally a 3D-texture is a picture which is wrapped around a volume and its position is given by coordinates. These pictures used as textures are not made for the human perception. It’s a technical image which first has to be transformed into the virtual and three-dimensional room to fit to the human perception of objects. The textures in this work are not bonded on its object, they have its own physical behavior and become independent objects themselves.
13. Fins Wagner “aquatic surface feel” (Germany) Pal, Colour, Sound, 2016.
Concept:
The combination of simulated material on the screen and real material in the sculpture, generates a surface feel between these to realities. Real water is flowing above objects with a fake coating. This thin water film causes its more authentic look, all flaws and artificiality are concealed. Some objects are partly not covered with water, on this spots one can see all the imperfections. But the associations which normally arise from the real material still exist. The computer generated water gets tangible through immersion with interaction between the avatar and the water.
This work deals with the relation and dependance between an object and its surface. Normally a 3D-texture is a picture which is wrapped around a volume and its position is given by coordinates. These pictures used as textures are not made for the human perception. It’s a technical image which first has to be transformed into the virtual and three-dimensional room to fit to the human perception of objects. The textures in this work are not bonded on its object, they have its own physical behavior and become independent objects themselves.
13. Fins Wagner “aquatic surface feel” (Germany) Pal, Colour, Sound, 2016.
Concept:
The combination of simulated material on the screen and real material in the sculpture, generates a surface feel between these to realities. Real water is flowing above objects with a fake coating. This thin water film causes its more authentic look, all flaws and artificiality are concealed. Some objects are partly not covered with water, on this spots one can see all the imperfections. But the associations which normally arise from the real material still exist. The computer generated water gets tangible through immersion with interaction between the avatar and the water.
14. Frederico Evaristo “Don’t Ask Don’t Tell” (Brazil) Pal, Colour, Sound, 1.30 min., 2018.
Concept:
Just another fashion shoot in our Fashion World. It is an experience about the (ab) use of the power, in a critical self reflection that you just have to swallow it. A video by: Frederico Evaristo Performed by: A photographer - Tarcio Generoso - as the model.
15. Gerald Zahn “What do I have to do that you fall in love with me” (Austria) Pal, Colour, Sound, 5.43 min., 2017.
16. Gertrude Moser-Wagner “zwei Vögel und vier Menschen (two birds and four men)” (Austria) Pal, Colour, Sound, 2017.
17. Juliana Höschlova “Gorgeous attractive blond young funny white elegant woman” (Czech Republic) Pal, Colour, Sound, 2016.
18. Kamolnut rangwat “Torture” (Thailand) Pal, Colour, Sound, 1.56 min., 2016.
Concept:
Ideas come from personal experiences in childhood. About being superstitious.
Content : Because I want to bring personal experiences that have come to life as a work of art in the form of video art. It expresses the
Concept:
Just another fashion shoot in our Fashion World. It is an experience about the (ab) use of the power, in a critical self reflection that you just have to swallow it. A video by: Frederico Evaristo Performed by: A photographer - Tarcio Generoso - as the model.
15. Gerald Zahn “What do I have to do that you fall in love with me” (Austria) Pal, Colour, Sound, 5.43 min., 2017.
16. Gertrude Moser-Wagner “zwei Vögel und vier Menschen (two birds and four men)” (Austria) Pal, Colour, Sound, 2017.
17. Juliana Höschlova “Gorgeous attractive blond young funny white elegant woman” (Czech Republic) Pal, Colour, Sound, 2016.
18. Kamolnut rangwat “Torture” (Thailand) Pal, Colour, Sound, 1.56 min., 2016.
Concept:
Ideas come from personal experiences in childhood. About being superstitious.
Content : Because I want to bring personal experiences that have come to life as a work of art in the form of video art. It expresses the
mystical power that can cause physical and mental suffering. It also reflects the sinfulness of others.
19. Katharine Fry “d.a.n.c.e. f.o.r. y.o.u.r. d.a.d.d.y.” (Germany) Pal, Colour, Sound, 2017.
Concept:
My work moves through performance, video and installation and features a women in a containing domestic interior. I start with a site responsive performance gesture and a choreography with objects that show a figure in relation to a limiting rigid system. Through video, I experiment with different temporal mechanisms or violence of the cut. I also overlay do wop style renditions of pop songs. I then stage the screens as encounters with bodies, playing out an intimate confrontation with the viewer.
20. Natthaworn Suriyasarn “ Happy / Happier / Happiest” (Thailand) Pal, Colors, Sound, 2017.
21. Kiatpitack Puttirungsikul “NATURAL” (Thailand) Pal, Colour, Sound, 2017.
22. Kiatpitack Puttirungsikul “26 (twenty - six)” (Thailand) Pal, Colour, Sound, 2017.
23. Komson Nookiew “Lives but Speed 4” (Thailand) Pal, Colour,
19. Katharine Fry “d.a.n.c.e. f.o.r. y.o.u.r. d.a.d.d.y.” (Germany) Pal, Colour, Sound, 2017.
Concept:
My work moves through performance, video and installation and features a women in a containing domestic interior. I start with a site responsive performance gesture and a choreography with objects that show a figure in relation to a limiting rigid system. Through video, I experiment with different temporal mechanisms or violence of the cut. I also overlay do wop style renditions of pop songs. I then stage the screens as encounters with bodies, playing out an intimate confrontation with the viewer.
20. Natthaworn Suriyasarn “ Happy / Happier / Happiest” (Thailand) Pal, Colors, Sound, 2017.
21. Kiatpitack Puttirungsikul “NATURAL” (Thailand) Pal, Colour, Sound, 2017.
22. Kiatpitack Puttirungsikul “26 (twenty - six)” (Thailand) Pal, Colour, Sound, 2017.
23. Komson Nookiew “Lives but Speed 4” (Thailand) Pal, Colour,
Sound, 1 min., 2018.
24. Leopold Kessler “dogpicknick:” (Austria) Pal, Colour, Sound, 2016.
25. Leri Matehha “BECAUSE IT‘S MIDDLE OF MARCH (Part 1 and 2)” (Germany/Israel) Pal, Colour, Sound, 8.45 min., 2017. Concept:
An impressionistic lm-essay about the founding history of the state Israel: bodybuilding as the aesthetically leading theme of this movie becomes mixed up with the myth of building up the state of Israel and the need of self-protection.
26. Lia Sáile “Release” (Germany) Pal, Colour, Sound, 12.22 min., 2014.
Concept:
The experimental film RELEASE - while analyzing the digital medium - consciously clashes and unites conceptual art and sensual cinematic experience. It explores disintegration - fragmenting unity into pieces - leading to temporary destruction. It goes from presence to absence; releasing its own form. Montage, time-space-context, sound and media-reflexive attention to the digital carrier-medium by turning to image-resolution - in German, resolution and dissolution are one word: 'Aufloesung' - form the basis. The compression types JPEG, MPEG and GIF radically destroy parts of the film, create disruptive factors, trigger irritation and distance the audience from the film. Every day sound recurrently collide with the abstract black-and-white images. In between an almost cinematic music fills the space yet not long enough to be immersed in. Using every aspect of the medium, re- building cinematic experience that is recurrently ruptured, disintegration becomes intellectually, emotionally perceivable.
24. Leopold Kessler “dogpicknick:” (Austria) Pal, Colour, Sound, 2016.
25. Leri Matehha “BECAUSE IT‘S MIDDLE OF MARCH (Part 1 and 2)” (Germany/Israel) Pal, Colour, Sound, 8.45 min., 2017. Concept:
An impressionistic lm-essay about the founding history of the state Israel: bodybuilding as the aesthetically leading theme of this movie becomes mixed up with the myth of building up the state of Israel and the need of self-protection.
26. Lia Sáile “Release” (Germany) Pal, Colour, Sound, 12.22 min., 2014.
Concept:
The experimental film RELEASE - while analyzing the digital medium - consciously clashes and unites conceptual art and sensual cinematic experience. It explores disintegration - fragmenting unity into pieces - leading to temporary destruction. It goes from presence to absence; releasing its own form. Montage, time-space-context, sound and media-reflexive attention to the digital carrier-medium by turning to image-resolution - in German, resolution and dissolution are one word: 'Aufloesung' - form the basis. The compression types JPEG, MPEG and GIF radically destroy parts of the film, create disruptive factors, trigger irritation and distance the audience from the film. Every day sound recurrently collide with the abstract black-and-white images. In between an almost cinematic music fills the space yet not long enough to be immersed in. Using every aspect of the medium, re- building cinematic experience that is recurrently ruptured, disintegration becomes intellectually, emotionally perceivable.
27. Lia Sáile “BORDERLINE I-III” (Germany) Pal, Colour, Sound, 9.45 min., 2014.
Concept:
Based on civil and military footage of border control cameras these digitally altered videos depicting crossings at the Mexico/USA border (North-/South America) and Melilla border (Africa/Europe) focus on the actual act of frontier crossing itself. Various degrees of pixilation through gif-algorithm compression, reduced to pure black and white images, ‘resect’ the individuals out of their specific context, floating on black – alluding to 8-bit computer games – deconstructing the scene to its basic movements, dynamics and shapes, turning it into an abstract choreography of white pixilated abstract figures in motion.
28. Menno Aden (German) “Untitled (Traffic II)” Pal, Colour, Sound, 1.30 min., 2018 Concept: Ghostly moves through spaces.
29. Miriam Gossing & Lina Sieckmann “OCEAN HILL
Concept:
Based on civil and military footage of border control cameras these digitally altered videos depicting crossings at the Mexico/USA border (North-/South America) and Melilla border (Africa/Europe) focus on the actual act of frontier crossing itself. Various degrees of pixilation through gif-algorithm compression, reduced to pure black and white images, ‘resect’ the individuals out of their specific context, floating on black – alluding to 8-bit computer games – deconstructing the scene to its basic movements, dynamics and shapes, turning it into an abstract choreography of white pixilated abstract figures in motion.
28. Menno Aden (German) “Untitled (Traffic II)” Pal, Colour, Sound, 1.30 min., 2018 Concept: Ghostly moves through spaces.
29. Miriam Gossing & Lina Sieckmann “OCEAN HILL
DRIVE” (Germany) Pal, Colour, Sound, 2016.
Concept:
Ocean Hill Drive examines a rare phenomenon, the so-called ‚shadowflicker’, that occurs in a suburban area on the outskirts of Boston. As a result of an erroneously installed wind turbine, the flicker effect, which brings to mind structuralist experimental cinema , appears instead in documentary images showing the landscape and architecture of a Massachusetts coast town.The film focuses on the visual quality of the pulsating shadows that intrude the suburban domestic sphere and disrupt the social and psychological equilibrium of the community. Documentary images are complemented with a female voiceover, which is based on multiple interviews that were transcripted and assembled into a single narration. The film slowly uncovers fragmentary memories from the time when the flicker began. An atmosphere of suspense and intangible fear is generated throughout the film, while the actual source of the flickering lights remains unknown.
30. Nat Tanachodwattanasiri “The Old Hag (Ma-Noot- Pa)” (Thailand) Pal, Colour, Sound, (Re-make on 2018).
Concept:
The concept in this video is talked about ‘The Old Hag (Ma- Noot-Pa)’ ,a person who is very condescending and egotistical. And a person who thinks that the world revolves around them. Presented with music orchestra ‘Tom and Jerry’ style.
31. Nikolai Meierjohann “Kissing a fire alarm (Kiss From A Rose)” (Germany) Pal, Colour, Sound, 10 min., 2017.
Concept:
Ocean Hill Drive examines a rare phenomenon, the so-called ‚shadowflicker’, that occurs in a suburban area on the outskirts of Boston. As a result of an erroneously installed wind turbine, the flicker effect, which brings to mind structuralist experimental cinema , appears instead in documentary images showing the landscape and architecture of a Massachusetts coast town.The film focuses on the visual quality of the pulsating shadows that intrude the suburban domestic sphere and disrupt the social and psychological equilibrium of the community. Documentary images are complemented with a female voiceover, which is based on multiple interviews that were transcripted and assembled into a single narration. The film slowly uncovers fragmentary memories from the time when the flicker began. An atmosphere of suspense and intangible fear is generated throughout the film, while the actual source of the flickering lights remains unknown.
30. Nat Tanachodwattanasiri “The Old Hag (Ma-Noot- Pa)” (Thailand) Pal, Colour, Sound, (Re-make on 2018).
Concept:
The concept in this video is talked about ‘The Old Hag (Ma- Noot-Pa)’ ,a person who is very condescending and egotistical. And a person who thinks that the world revolves around them. Presented with music orchestra ‘Tom and Jerry’ style.
31. Nikolai Meierjohann “Kissing a fire alarm (Kiss From A Rose)” (Germany) Pal, Colour, Sound, 10 min., 2017.
32. Nithiphat Hoisangthong “Silent wave” (Thailand) Pal, Colour, Sound, 1 min., 2018.
33. Manu Saeng-Xuto “See Sea Scene Gen.3” (Thailand) Pal, Colour, Sound, 2.15 min., 2017.
Concept:
Int.Memories-Sundown
34. Paula Pedraza “NO ESTAR” (Germany) Pal, Colour, Sound, 10 min., 2015.
Concept:
It makes allusions to negation, which approach it from the perceptual experience from the video and the specific record of the action, also the intermitence of the subject presence, it is concerned with problems of identification and it is a gesture that marks a separation of individual as a permanent entity, as well as social and conceptually determined, it uses visual mechanisms, visualsand bodily obscurities, contrasts and rituals both of the precariousness of the image and of the circularity of the action with the hula hoop, to speak of that fleeting presence of inhabiting the action and the virtual space
33. Manu Saeng-Xuto “See Sea Scene Gen.3” (Thailand) Pal, Colour, Sound, 2.15 min., 2017.
Concept:
Int.Memories-Sundown
34. Paula Pedraza “NO ESTAR” (Germany) Pal, Colour, Sound, 10 min., 2015.
Concept:
It makes allusions to negation, which approach it from the perceptual experience from the video and the specific record of the action, also the intermitence of the subject presence, it is concerned with problems of identification and it is a gesture that marks a separation of individual as a permanent entity, as well as social and conceptually determined, it uses visual mechanisms, visualsand bodily obscurities, contrasts and rituals both of the precariousness of the image and of the circularity of the action with the hula hoop, to speak of that fleeting presence of inhabiting the action and the virtual space
of the video, touching edges related to the detachment, oblivion and contradiction.
35. Sabine Marte “No Beach just Sand, nr.2” (Austria) Pal, Colour, Sound, 2018.
36. Sabrina Osborne “Yajus-a sacrificial prayer” (India-England) Pal, Colour, Sound, 8 min., 2018.
Concept:
35. Sabine Marte “No Beach just Sand, nr.2” (Austria) Pal, Colour, Sound, 2018.
36. Sabrina Osborne “Yajus-a sacrificial prayer” (India-England) Pal, Colour, Sound, 8 min., 2018.
Concept:
‘Yajus’ is one of the eight performance based videos which were conceived, performed and filmed at the London Hornsey Town Hall’s Council Room during a week-long residency in 2016.The town hall has been stripped of its authority, lying disused and abandoned for overadecade. TheperformancesaredelicatelyhuedwiththeHindu sacrifice rituals performed in and around temples: the place where gods reside as living breathing entity and interact with humans. It is said by worshiping the deities as stipulated in the scriptures, and keeping them happy, they prevent misfortune and calamities befalling upon people and ensure peace, prosperity, and welfare of all in the towns and villages where the temples are situated. Artist could see the similarity of that authority in the temples of government Town Halls deciding destiny of common man. Through these physically enduring performances the artist investigates the trajectories of authority & suppression, the struggle between detachment and belonging, the antithesis of solitude and alienation, the contradictions of rebel & surrender and the dichotomy of acceptance and rejection of social dogmas and expectations experienced as an individual who struggles to negotiate her identity in a foreign land as an immigrant.
37. Severin Spengler “Wintergarten Intothegruen” (Germany) Pal, Colour, Sound, 17 min., 2018.
Concept:
38. Shinya Matsunaga “Eternity gazing” (Thailand) Pal, Colour, Sound, 12.90 min., 2016.
Concept:
I got influence from Kahlil Gibran philosopher, he explained on the beauty of women, I think, the beauty should goes through every day live now a day which consist from our technology and trane and many artists would explain their idea from women curve which I think
Concept:
To be in a space involves self supply and optimization of a system for myself to live in. This is a selection of specific observations in my garden. Severin Spengler, born 1987 in Cologne, is a conceptual artis working with/on video, photography, lyrics and poems, sculpture, living systems, media performance and animation. Based in Cologne he is a student at Kunstakademie Düsseldorf working in the class of Prof. Marcel Odenbach.
38. Shinya Matsunaga “Eternity gazing” (Thailand) Pal, Colour, Sound, 12.90 min., 2016.
Concept:
I got influence from Kahlil Gibran philosopher, he explained on the beauty of women, I think, the beauty should goes through every day live now a day which consist from our technology and trane and many artists would explain their idea from women curve which I think
is true element.
39. Susanna Schoenberg “AA_glas_(แก้ว) Thai (VIDRIO)Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
40. Susanna Schoenberg “BB_Architectur (สถาปัตยกรรม) Thai (VARQUITECTURA) Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 2.45 min., 2014-2018.
41. Susanna Schoenberg “TM_bus_(ป้ายรถประจําทาง) Thai (PARADA) Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
42. Susanna Schoenberg “TM_park_(สวนสาธารณะ) Thai (PARQUE) Telescopic camera on wheels”, (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
43. Susanna Schoenberg “ZZ_memoria_(ความทรงจํา) Thai (MEMORIA) Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
44. Taisiya Ivanova “ALMA MATER + EVA (work in progress)” (Russia) Pal, Colour, Sound, 40 min., 2018.
39. Susanna Schoenberg “AA_glas_(แก้ว) Thai (VIDRIO)Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
40. Susanna Schoenberg “BB_Architectur (สถาปัตยกรรม) Thai (VARQUITECTURA) Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 2.45 min., 2014-2018.
41. Susanna Schoenberg “TM_bus_(ป้ายรถประจําทาง) Thai (PARADA) Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
42. Susanna Schoenberg “TM_park_(สวนสาธารณะ) Thai (PARQUE) Telescopic camera on wheels”, (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
43. Susanna Schoenberg “ZZ_memoria_(ความทรงจํา) Thai (MEMORIA) Telescopic camera on wheels” (Italy) Pal, Colour, Sound, 1.56 min., 2014-2018.
44. Taisiya Ivanova “ALMA MATER + EVA (work in progress)” (Russia) Pal, Colour, Sound, 40 min., 2018.
45. Tim Gorinski "Time in Rhythm" (Germany) Pal, Colour, Sound, 14.34 min., 2017.
46. Tin Tin Cooper “Failed Memory” (Thai-English) Pal, Colour, Sound, Installation, 14.34 min., 2013
Concept:
47. Tuksina Pipitkul “Wash” (Thai) Pal, Colour, Sound, 1 min., 2017.
Concept:
Human and Water, Water is valuable resource for body and mind, Water purify and humidify, No matter it is natural or pressed water.
48. Walter Solon “ETHICS OF SURVIVAL” ((Brazil/Germany) Pal, Colour, Sound, 29 min., 2017.
Concept:
46. Tin Tin Cooper “Failed Memory” (Thai-English) Pal, Colour, Sound, Installation, 14.34 min., 2013
Concept:
The one-channel video / sound installation "Time in Rhythm" is a confrontation with natural and mechanically generated rhythm patterns. Ebb and tide as naturally occurring two rhythms are broken by dotted, wandering drum patterns, which spread across five speakers and perform a movement in the room. These drum loops are additionally manipulated by a fixed section score and repeatedly broken. A schema is to be felt but not grasped.
47. Tuksina Pipitkul “Wash” (Thai) Pal, Colour, Sound, 1 min., 2017.
Concept:
Human and Water, Water is valuable resource for body and mind, Water purify and humidify, No matter it is natural or pressed water.
48. Walter Solon “ETHICS OF SURVIVAL” ((Brazil/Germany) Pal, Colour, Sound, 29 min., 2017.
Concept:
A documentary about the director’s brother, who is a survivalist, Krav Maga fighter and Jewish youth leader, considering leaving Brazil to volunteer in the Israeli Defence Forces.
49. Water Salon “FREE TEKNO” ((Brazil/Germany) Pal, Colour, Sound, 7 min., 2016.
Concept:
An experimental dance piece shot chronologically during sunrise inside a parking lot in the renaissance village of Montepulciano, Tuscany. Collaboration with Moritz Riesenbeck, Hannah Krebs.
50. Water Salon “DETACHMENT MISSION” ((Brazil/Germany) Pal, Colour, Sound, 6 min., 2016.
Concept:
Russian-Chinese Butoh-dancer Valentin Tszin had a workshop in Lisbon and we ended up spending six days there together, sharing a small apartment, looking for locations and shooting improvised dances amid the city’s different landscapes.
51. Water Salon “DEMOLIDORA SOLON” ((Brazil/Germany) Pal, Colour, Sound, 13 min., 2015.
Concept:
Demolidora Solon (2015) is the first part of a photofilm trilogy on the consequences of bringing the São Paulo-based family
49. Water Salon “FREE TEKNO” ((Brazil/Germany) Pal, Colour, Sound, 7 min., 2016.
Concept:
An experimental dance piece shot chronologically during sunrise inside a parking lot in the renaissance village of Montepulciano, Tuscany. Collaboration with Moritz Riesenbeck, Hannah Krebs.
50. Water Salon “DETACHMENT MISSION” ((Brazil/Germany) Pal, Colour, Sound, 6 min., 2016.
Concept:
Russian-Chinese Butoh-dancer Valentin Tszin had a workshop in Lisbon and we ended up spending six days there together, sharing a small apartment, looking for locations and shooting improvised dances amid the city’s different landscapes.
51. Water Salon “DEMOLIDORA SOLON” ((Brazil/Germany) Pal, Colour, Sound, 13 min., 2015.
Concept:
Demolidora Solon (2015) is the first part of a photofilm trilogy on the consequences of bringing the São Paulo-based family
demolition business into bankruptcy and then escaping from Brazil to Israel, from Israel to Palestine...
52. Wutikorn Kongka “Untitled” (Thai) Pal, Colour, Sound, 4 min., 2018.
53. Siridej Sirisomboon “Shape of Sky” (Thailand), Pal, Colour, Sound, 1 min., 2017.
Concept:
The shape of the sky may be determined by the object on earth through our perspective.
54. Pison Suwanpakdee ”Hole” (Thailand) Pal, Colour, Sound, 3 min., 2017.
Concept:
Thailand became a civilization, but Thai people was empties in their mind.
55. Teerapong Serisamran ”Buddha Concept No.3: (Identity)” Pal, Colour, Sound, 5 min., 2017.
Concept:
“Identity” is the thing that identify “The self” of us and everything. It helps us to divide what this thing is and what that thing is. What is the borderline between one and another? Can we
52. Wutikorn Kongka “Untitled” (Thai) Pal, Colour, Sound, 4 min., 2018.
53. Siridej Sirisomboon “Shape of Sky” (Thailand), Pal, Colour, Sound, 1 min., 2017.
Concept:
The shape of the sky may be determined by the object on earth through our perspective.
54. Pison Suwanpakdee ”Hole” (Thailand) Pal, Colour, Sound, 3 min., 2017.
Concept:
Thailand became a civilization, but Thai people was empties in their mind.
55. Teerapong Serisamran ”Buddha Concept No.3: (Identity)” Pal, Colour, Sound, 5 min., 2017.
Concept:
“Identity” is the thing that identify “The self” of us and everything. It helps us to divide what this thing is and what that thing is. What is the borderline between one and another? Can we
invaluably identify “The self” of everything?
56. Parin Ananpati “?” (Thailand) Pal, Colour, Sound, 5 min., 2017. Concept:
The action itself is working against itself that affect to self in reality.
57. Rutchana Buasri, Bunyanuch Tachatamtanes “Movement
& colors” (Thailand) Pal, Colour, Sound, 1 min., 2017.
Concept:
Animation that uses the life of colored smoke, the movement of human beings, causes different senses.
58. Phongsak nainreangsang, Wisaitas phoosiri “Darkness and Lightning” (Thailand) Pal, Colour, Sound, 2 min., 2017.
Concept:
Fighting of good and evil.
59. Pimpisa Dorksanthia, Siwaporn Waenkaew “Sequence
56. Parin Ananpati “?” (Thailand) Pal, Colour, Sound, 5 min., 2017. Concept:
The action itself is working against itself that affect to self in reality.
57. Rutchana Buasri, Bunyanuch Tachatamtanes “Movement
& colors” (Thailand) Pal, Colour, Sound, 1 min., 2017.
Concept:
Animation that uses the life of colored smoke, the movement of human beings, causes different senses.
58. Phongsak nainreangsang, Wisaitas phoosiri “Darkness and Lightning” (Thailand) Pal, Colour, Sound, 2 min., 2017.
Concept:
Fighting of good and evil.
59. Pimpisa Dorksanthia, Siwaporn Waenkaew “Sequence
01” (Thailand) Pal, Colour, Sound, 1 min., 2017.
Concept:
The idea comes from the sense of trance and blur and mixed with the acoustic. We look at one image, giving it a multi-dimensional dimension.
60. Thirayut Poungkaw “Untitled” (Thailand) Pal, Colour, Sound, 2 min., 2017.
Concept:
wasting time, right?
61. Prinyakan Ruesopa “Untitled” (Thailand) Pal, Colour, Sound, 1
min., 2017.
Concept:
The float on the air, and the journey pointless. Life is like that, we need to continue endlessly.
62. Panwira Padtaumpan “Beautiful” (Thailand) Pal, Colour, Sound, 1 min., 2017.
Concept:
The idea comes from the sense of trance and blur and mixed with the acoustic. We look at one image, giving it a multi-dimensional dimension.
60. Thirayut Poungkaw “Untitled” (Thailand) Pal, Colour, Sound, 2 min., 2017.
Concept:
wasting time, right?
61. Prinyakan Ruesopa “Untitled” (Thailand) Pal, Colour, Sound, 1
min., 2017.
Concept:
The float on the air, and the journey pointless. Life is like that, we need to continue endlessly.
62. Panwira Padtaumpan “Beautiful” (Thailand) Pal, Colour, Sound, 1 min., 2017.
Concept:
The beauty of flower in water is tarnished from being splashed by plentiful colors. Conclusively, although that flower is not any more appealing to others, it is still beautiful to someone forever.
63. Natnaran Bualoy “Now Is Now sense of white” (Thailand) Pal, Colour, Sound, 1 min., 2017.
64. Taline Piyaskunkiere “New form movement” (Thailand) Pal, Colour, Sound, 1 min., 2018.
Concept:
The body dance had made many lines and forms, we could find
new movement in it.
65. Nitinei Meenunt “Sea Wave” (Thailand) Pal, Colour, Sound, 0.32 Second., 2018
Concept:
To change the emotion from sea wave movement become another things.
66. Chayamon Satirasrirapin “Time and Society” (Thailand) Pal, Colour, Sound, 1.41 min., 2018.
The beauty of flower in water is tarnished from being splashed by plentiful colors. Conclusively, although that flower is not any more appealing to others, it is still beautiful to someone forever.
63. Natnaran Bualoy “Now Is Now sense of white” (Thailand) Pal, Colour, Sound, 1 min., 2017.
64. Taline Piyaskunkiere “New form movement” (Thailand) Pal, Colour, Sound, 1 min., 2018.
Concept:
The body dance had made many lines and forms, we could find
new movement in it.
65. Nitinei Meenunt “Sea Wave” (Thailand) Pal, Colour, Sound, 0.32 Second., 2018
Concept:
To change the emotion from sea wave movement become another things.
66. Chayamon Satirasrirapin “Time and Society” (Thailand) Pal, Colour, Sound, 1.41 min., 2018.
67. Thidarat Pienraphikun “my old photographies” Pal, Colour, Sound, 0.43 Second., 2018.
Concept:
To experimental an old photographies for moving images technique.
68. Buntika Poppong “Ant” (Thailand) Pal, Colour, Sound, 1.49 min., 2018.
Concept:
An ant is a creature that not use hands when eat every things.
69. Prepane Lungsrire “Decorate light” (Thailand) Pal, Colour, Sound, 0.33 Second., 2018.
Concept:
The light is decorated in my art work.
70. Ratsart Yatra “The guardians Cat” (Thailand) Pal, Colour, Sound, 2.34 min., 2018.
Concept:
The cat name “Bungkee” is my related that I would be her guardian cat.
71. Euekarn Areecharom “New form from apart of mine” (Thailand) Pal, Colour, Sound, 0.17 Second., 2018.
Concept:
To experimental an old photographies for moving images technique.
68. Buntika Poppong “Ant” (Thailand) Pal, Colour, Sound, 1.49 min., 2018.
Concept:
An ant is a creature that not use hands when eat every things.
69. Prepane Lungsrire “Decorate light” (Thailand) Pal, Colour, Sound, 0.33 Second., 2018.
Concept:
The light is decorated in my art work.
70. Ratsart Yatra “The guardians Cat” (Thailand) Pal, Colour, Sound, 2.34 min., 2018.
Concept:
The cat name “Bungkee” is my related that I would be her guardian cat.
71. Euekarn Areecharom “New form from apart of mine” (Thailand) Pal, Colour, Sound, 0.17 Second., 2018.
Concept:
I bring my own organs to oder new form of art in which no matter
what form will be.
72. Wanfar Bunchom “Traffic Jam” (Thailand) Pal, Colour, Sound, 1.12 min., 2018.
Concept:
The felling when encountered on traffic jam in Bangkok.
73. Tanathut Hopap “Repetition of alone time” (Thailand) Pal, Colour, Sound, 1 min., 2018.
Concept:
In holiday I must be there alone and many things seem repeat itself all time.
74. Wuttin Chansataboot "Untitled" (Thailand) Installation, 2017.
75. Pitiwat Somthai "What make us human" (Thailand) Installation, 2017.
Exhibition Venue
I bring my own organs to oder new form of art in which no matter
what form will be.
72. Wanfar Bunchom “Traffic Jam” (Thailand) Pal, Colour, Sound, 1.12 min., 2018.
Concept:
The felling when encountered on traffic jam in Bangkok.
73. Tanathut Hopap “Repetition of alone time” (Thailand) Pal, Colour, Sound, 1 min., 2018.
Concept:
In holiday I must be there alone and many things seem repeat itself all time.
74. Wuttin Chansataboot "Untitled" (Thailand) Installation, 2017.
75. Pitiwat Somthai "What make us human" (Thailand) Installation, 2017.
Exhibition Venue
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