Artist’s list EVA.2021
1. Gunther Skreiner (Austria) “TonBild” / “Sounding image” Pal, Colour, Sound, 28.47 min., 1987.
Concept:
The video „TonBild / Sounding image“ focuses on the arbitrariness of codes. Codes are abstract representations which are made bodily to be experienced by their connection to specific qualities in a specific sensory field: The sound video is the sequential scanning of an image made by codes. Instead of the five visual codes, there are sound qualities that can be clearly differentiated from each other, whose duration is constant, whose respective pitch is randomly controlled. In addition to the simultaneous visual and acoustic “presence” of the codes, the video work also offers the numerical code behind it.
2. Komson Nookiew (Thailand) “English speaker 2” Pal, Color, Sound, 2021.
Concept:
I invited many people to participate in my project but only 7 friends who interested in it, they are doing well with their speaking and interest. And I hope that the people who are not using English as their mother tongue could communicate to each other and all of us would understand what they are trying to say.
3. Helmut Eisendle / Werner Jauk (Austria) “Spiel“ / „gam(bl)e“ Pal, Colour, Sound, 9.17 min., 1989.
Concept:
The video „Spiel / gam(bl)e“ approaches the subject with intellectual distance: the collection of all sentences from Eisendle's works in which the term "Spiel" occurs is recited. In a gradual conditioning process, the word "Spiel" is replaced by a sound. The work thus makes it possible to experience a process of transferring a meaning from the medium of language to the originally meaningless medium of sound; it lets the listener experience the process of assigning meaning. Language - sound - meaning are the central terms of this work.
4. Mathasit Addok (Thailand) “goldfish brain” Pal, Color, Sound, 1.28 min., 2021.
5. Werner Jauk / Monika Wogrolly (Austria) “Lust – Trauer“ / „Lust - Grief“ Pal, Colour, Sound,
7.58 min., 1989.
Concept:
The video „Lust - Trauer / Lust - Grief“ originates from a holistic, rather impetuous emotional approach: the terms "Lust” and “Grief”, which are central to the content and structure of the sound work, are spoken (as sonic expressions of the designated emotions) by human voices, partly clear, partly electronically shredded, "underpinned by naked, singing voices, whereby suddenness may come to the fore". The terms "haste" and "greed" iconically determine the dynamic course of the piece. The sound work was realised with a female voice and the techniques of analogue and digital sound processing.
6. Nithiphat Hoisangthong (Thailand) “Don’t die before you’re” Pal, Color, Sound, 2021.
7. Werner Jauk / Heimo Ranzenbacher (Austria) “Klangfigur“ / „human sound-sculpture“ Pal, Colour, Sound, 6.47 min., 1991.
Concept:
The video „Klangfigur / human sound-sculpture“ is a conceptual one that uses - apart from instrumental play actions - the generation of sounds through physical activity out from “activation”. The physical reaction of a knowing actor, a choreographer who knows how to interpret the actions of a dancer, to the dancer's movement generates and controls sounds that are initially provided to the dancer virtually. Only his movements make them sound or modulate them further. These movements are now further visual templates that lead to the choreographer's bodily reactions, which in turn generate and control sounds and provide the dancer with them...... a feedback process of creating meanings out of physical activation and vice versa begins.
8. Pasutt kanrattanasutra (Thailand) “Termite child” Pal, Color, Sound, 2021.
9. Werner Jauk / Christian Pölzl (Austria) “Rituality“ Pal, Colour, Sound, 3.58 min., 1991.
Concept:
In the video "Rituality", visual materials taken from an interaction situation of actor and “audience”, the theatre situation, and movements of a human body related to itself, serving a ritual, are juxtaposed in a confronting manner. Through its creation, the medium of sound oscillates between this communication-oriented and narcissistic posturing. As a form of transfer adequate to the impetuous sensual character of the work, the sonic gesture is located close to punk rock, the visual design leans quote-like on a more hardcore video clip using stereotypical cliches.
10. Phimmawat Yonlaphat (Thailand) “Reality” Pal, Color, Sound, 2021
Concept:
Sometimes in the world of sleep and the world of awakening We cannot distinguish which world is the real world. Where is the world where we live? Maybe we are living in the imaginary world that we have created.
11. Werner Jauk / Marion Wicher (Austria) “Spatial States and Transitions” Pal, Colour, Sound, 4.52 min., 1994.
Concept:
The video "Spatial States and Transitions" enables awareness of the importance of provoking perceptual content without a corresponding physical external stimulus. By creating a specific sonical and visual context, timbres are interpreted as sound coming from above, from below, from behind from the front. The progression of lines in the sound space leads to parallel, virtual movements in space. This leads to spatial experiences in the manner of an illusion. Cues of a visual and sonic nature excite cognitive implants, embodied cognitions; they lead to percepts without a corresponding sensory icon.
12. Pimnapas Anantasiri (Thailand) “Untitled” Pal, Color, Sound, 2021.
Concept:
This video art is said about Relationship between Human and Environment. Nowaday we all lean on technology and chemicalogy ,much further, resources are run out faster. On the other hand, if we use human labor it will be so much more slow and difficult to work but this method will let nature restore itself.
13. Werner Jauk / Marion Wicher (Austria) “linear transition“ Pal, Colour, Sound, 1.41 min., 2008.
Concept:
Venice's isolated location, its traffic structure of fewer canals and the multitude of narrow alleys primarily enables the unmediated footpath as the dominant form of movement. This special location leads to specific acoustics: Free from the soundscape of other cities, which is characterised by the lo-fi noise of technically mediatised movement, the reflectionless vastness of the sea is contrasted by the narrowness of the alleys with their short-term reflection, the shutter sound of footsteps - urban social life as human movement becomes audible through the reflection and resonance of architecture.
Based on this, the work is a simulation experiment to transfer the sound of the footpath from A to B through the maze of alleys to the direct linear propagation of sound, taking into account the intervening walls as resonating walls as well as squares as sound energy emitting openness, to implement linear transition sonically and parallel visually. While the visually controlled walk from A to B leads the body through the alleys surrounded by the walls of the houses, the sound passes through these walls in a sound-modulating way. In the digital simulation, the seeing gaze makes its way through the city unhindered by walls along the path of sound - as a linear transition.
14. Pornwipa Suriyakarn (Thailand) “Life” Pal, Color, Sound, 2021.
15. Doris Jauk-Hinz (Austria) “Utopien, Träume = Energie“ / „Utopias, dreams = energy” Pal, Colour, Sound, 6.38 min., 1988.
Concept:
The loss of employment means the loss of life energy. To think utopias, to dream dreams, is perhaps considered a strategy to keep the lost power to develop new life, to overcome the powerlessness and transform it into power - to live one's own life. The project was realised with six young unemployed craftsmen by working through their difficult situation and modelling their dreams and utopias by externalising these desires in sculptures. The tools of their lost jobs were melted down into an iron cube. The sacred ceremony of a funeral becomes a rebirth.
16. Pramet Krangmuntvai (Thailand) “Skin cold fire blanket” Pal, Color, Sound, 1.33 min., 2021.
17. Doris Jauk-Hinz (Austria) “Bilder” / “Images” Pal, Colour, Sound, 4.16 min., 1991.
Concept:
The video “Bilder / Images” is a non-narrative one and merges techniques of painting and graphics with the possibilities of analogue and digital electronic picture-generating and -processing. The fixed painting is set against the processing growth of a video. As it was a composing work, the video is - with regard to the formal aspect - a “parallel motion”, a “development” of and a “counterpoint” to the music and like this a formation of time. Self-performance and the confrontation with being a woman are the contents.
18. Raksucha Chompubuns (Thailand) “Is beginning to an end” Pal, Color, Sound, 1.32 min., 2021.
19. Doris Jauk Hinz (Austria) “Bewegte Bilder“ / “Moving images” Pal, Colour, Sound, 4.24 min., 1991
Concept:
The animation of images, detached from their respective context, tell a story in the video "Bewegte Bilder / Moving images" through the subjectively determined linear arrangement, which, depending on the selection and arrangement, could also create other content links. The associated impressions are also a narrative about the person creating them, at the same time they also write associative stories for the viewers, because "It is precisely the initially unexpected, the frighteningly chaotic that reveals deep meaning." (C.G. Jung) »Gerade das zunächst Unerwartete, das beängstigend Chaotische enthüllt tiefen Sinn.« (C.G. Jung)
20. Ruttiporn Leepanuwong (Thailand) “The living of life” Pal, Color, Sound, 1.13 min., 2021.
21. Doris Jauk-Hinz (Austria) “TRANS-LOCATION, 8 minutes to walk - 808 steps”, Pal, Colour, Sound, 3.39 min., 2013.
Concept:
8 minutes of walking - 808 steps are represented by 808 red squares, which in their order form a line on the glass surfaces. This red line represents the distance between the former location and the new one of “esc media art labor” in Graz (AT). As part of the opening event, participants and passers-by were invited to shorten this line consisting of 808 red squares "step by step" by removing one square to reinstall it within a marked area by will. The dissolution of this line and the collective reorganization by participants are initiated as a performative occupation of the new space.
22. Sakonpat Chotipatthamanon (Thailand) “Self-Lock” Pal, Color, Sound, 10.55 min., 2021.
Concept:
During the COVID-19 situation, the government use the emergency law to force us to stay at home. It was locked down. I spent a lot of time staying in my room cause cannot go out. It drives me crazy and gets depressed. This artwork presents the idea of less freedom like you are in jail. Moreover, it will show you the power of nature and the state to control what you need to do. They always watching you.
23. Doris Jauk-Hinz (Austria) “Miniature” Pal, Colour, Sound, 2.04 min., 2021.
Concept:
"Miniature" - an artistic form that tries to let us experience the big whole in a tiny form. The view into the dynamically indeterminate and the immersion in a branching net structure stimulate a view into what is seen and the process of seeing, into organic but also neuronal networks. Losing oneself and finding oneself allows for supposed standstill and the feeling of floating lightness as well as the symbolic reflection of the real and the fictitious.
24. Sathaporn Fuengk (Thailand) “Darkness and imagination” Pal, Color, Sound, 2021.
25. Doris Jauk-Hinz (Austria) “DIE GULDINNEN”, Pal, Colour, Sound, 2.11 min., 2021.
Concept:
The female currency that compensates for gender inequality. DIE GULDINNEN focuses the discrimination of women within the employment-market. To visualize this economic inequality, a female coin originating from a historical (male connoted) coin "DER GULDEN" was established. To compensate less economic value of women the coin was enlarged: DIE GULDIN (fem.) is 20 % larger than DER GULDEN* (m). DIE GULDINNEN were introduced in 2011 as regional money within the existing Judenburg / Austria voucher system. Since 2017, they have also been accepted as a means
of payment in some shops in Graz / Austria.
26. Somlux Wanta (Thailand) “The matter & balance” Pal, Color, Sound, 1.21 min., 2021.
27. Eva-Maria Gugg (Austria) “Grazer-linien” Pal, Color, Sound, 33 second, 2021.
28. Thanakrit Chaniem (Thailand) “Living together but apart” Pal, Color, Sound, 2021.
Concept:
Today we cannot deny the Internet, mobile phones, or computers. As if it were in our daily lives and it was followed by the obvious detrimental effect of everyone, being interested in the surroundings and those around us, or even important people in our family, by reducing the relationship. Relationship in the family, whether it is talking while living together, eating meals, or doing various activities. The work itself is a situation where the family is doing activities together without talking, but instead of typing and chatting. This reflects the impact of the internet making a crack in it and destroying family relationships.
29. Eva-Ursprung (Austria) “Ghosts” Pal, Color, Sound, 5 min., 2020.
30. Usawadee Srithong (Thailand) “Communication” Pal, Color, Sound, 2021.
Concept:
Three years back I studied Fine Arts at Santiniketan , a small town in the state of West Bengal of the Indian subcontinent. Back then when I first arrived a newcomer in the town I struggled while communicating with people both in English and Bengali. But my fri ends there were quite kind to me and didn't make me feel excluded. They often invited me to there hostel or houses to have food with them. These encounters were wonderful opportunities for me to learn the variety of food and the cuisines that was indegenous to the Bengali people. It also helped me build up a congenial relationship amongst the people whome I dined with.Food is an important element in culture that people identify themselves with. I believe food isn't just something we eat to satisfy hunger , it's also a mode to connect me with the other friends who now share different cultural palettes.
In congruence with my experiences the Art Project is an opportunity that I want to create to begin a conversation between the audience and me . This conversation may differ from people based on their cultures i.e between the Thai people and Foreigner in Bangkok, Thailand . Although to me it is a dialogue between puri, ghughni of Bengal and Food is symbolic to a language as it's mode of communication is quite enriching and instrumental in building a relationship as it has been with friends and me. I wish to convey and utilize this concept in Ban Chao Phraya Thammasakmontri at Bangkok, Thailand once again.
31. Evamaria Schaller (Austria) “Breathe” Pal, Color, Sound, 4.34 min., 2021.
32. Rachata Yooyim (Thailand) “Ball” Pal, Color, Sound, 1.47 min., 2021.
33. Viviann Danilowski (Germany) “Unseen + Abstain 2” Pal, Color, Sound, 2021.
34. Atip Limsiriwong (Thailand) “My time” Pal, Color, Sound, 1.56 min., 2021.
35. Napat Juanarj (Thailand) “Life” Pal, Color, Sound, 1.00 min., 2021.
36. Phakapop Trisin (Thailand) “Player of the class” Pal, Color, Sound, 0.32 min., 2021.
37. Nipatsara Bureepia (Thailand) “The dimension of line” Pal, Color, Sound, 1 min., 2021.
38. Miriam Bajtala (Austria) “First Scenery #Mirka,” experimental film, Pal, Color, Sound, 19:12 min., english with german and english subtitle, 2020.
39. Tharadol Lengsudjai (Thailand) “I am Cobra” Pal, Color, Sound, 1.07 min., 2021.
Concept:
As a child, I had a dream to become an anime character that I admired. When I grew up, I had a chance to make my childhood dreams to come true. I started making a prop of Psycho-Gun, a specific type of gun in a Cobra animation. Then, I performed and took a video of myself. With editing process through video art techniques, I merged those moving images together and transformed myself into a Cobra, the main character of Cobra animation who I had long imagined to be.
40. Jettanut Mahaguna (Thailand) “BUG” Pal, Color, Sound, 47.01 min., 2021.
Concept:
I want to present a contrast of shapes, sizes and colors of a bug and a group of people. By creating a story line of a huge bug waking up because of those tiny people partying loudly. The bug then attacked them.
41. Tatcha Kawashima (Thailand) “Mock” Pal, Color, Sound, 00.20 min., 2021.
Concept:
I selected to use two main characters based on a contrast of colors and shapes. The characters depicted a typical mocking scene with a sense of dark humors and scoffing of the 90’s from a popular cartoon like Tom & Jerry. Finally, both were down into the same path of destiny.
42. Kariata Chumchuenwong (Thailand) “TOMAZACHEESE” Pal, Color, Sound, 00.19 min., 2021.
Concept:
My work was an experimentation on stop motion technique with a subject that I fell in love with - a pizza making process. From basic shapes like cubes, spheres and wedges, I went through the modeling process of all different pizza ingredients. Additionally, colors are one of the things that make real pizza so tempting. So, I painted pizza sculpture with vibrant colors.
43. Jakkrin Saritchanon (Thailand) “Untitled” Pal, Color, Sound, 00.48 min., 2021.
Concept:
I was interested in making stop motion animation by using toys and readymade objects. This technique gave new purpose to my old toys by bringing them to life. Moreover, I was always fascinated by monsters and various abilities they have in movies which I tried to imitate in my animation.
44. Natthaphon Chaiworawat (Thailand) “Irresistible” Pal, Color, Sound, 7 min., 2021.
Concept:
Natthaphon created a metaphor of the state of irresistible through Durational Performance. He floated in a swimming pool and let his body to encounter the current in the pool, Revealing the moment of the body's instinctive reaction to maintain its constant buoyancy in the water. Nevertheless, when the body floated away, the process of retention could no longer be seen by the physical eyes.
45. Panu Saeng-Xuto (Thailand) “Repast (My childhood memory) Synopsis: INT. Memory - Me and My parents’ Meal (Repast)" Pal, Color, Sound, 13.00 min, 2019.
Concept:
The Art Film called “Repast [My Childhood Memory]” was created and inspired by studying and breaking down different samples of work. It was researched through a case study which was co-researched through analyzing concepts and contents to produce the films production framework.
The movie represents the memories of my childhood through the meals. My family raised me to be strong and healthy. My mother and father’s important lessons were passed down to me through meals we had together that were full of love and building connections. These times with the three of us always brought me happiness.
46. Natnaran Bualoy (Thailand) “Birds Noise” Pal, Color, Sound, 2021.
Concept:
In the evening, the bird’s mom summons her baby birds to return home by making noise and I always notice it in my bedroom.
47. Supakit Seksuwan (Thailand) “Did I do something wrong?” Pal, Color, Sound, 16.35 min., 2020.
Concept:
The Invisible Light that threaten our Circle of Life Synopsis: The story of the bonds of a small family in a one rainy night through the mysterious light that appeared as a determinant of how to be nurtured, cultivation from parents or family members by using various media.
48. Supakit Seksuwan (Thailand) “During the Ramadan” Pal, Color, Sound, 10.23 min., 2020.
49. Supakit Seksuwan (Thailand) “Invisible light that threaten our Circle” Pal, Color, Sound, 110.34 min., 2020.
50. Oradol Kaewprasert (Thailand) “Vamos Tailandia!” Pal, Color, Sound, 1.16 min., 2018-2019.
51. Oradol Kaewprasert (Thailand) “Saisunee Jana, the gold medalist, wheelchair fencing, the Paralympics, London” Pal, Color, Sound, 1.16 min., 2018-2019.
52. Manasak Khlongchainan (Thailand) “White Light Final Draft” Pal, Color, Sound, 10 min., 2021.
53. Ivy Universe Baldoza (Philippines) “Strange horses and their stripes (Short)” Pal, Color, Sound, 11.32 min., 2016.
54. Watcharin Deddoung (Thailand) “Nong Chok on the move” Pal, Color, Sound, 5.23 min., 2021.
Concept:
We were born into a society that is mixed with different races or ideas. We human beings create ourselves through learning from the environment. And travel way These things are made for ourselves. Whether it is like or what's not to like Then all of these things have created a multicultural society. Until sometimes we cannot divide the history of the culture. I would like to find answers to the cultural traditions of the people that flow into the environment. Then become a new culture that is specific to that area and let's call this "Trans-Culture"
55. Dhira Dhiraprachya (Thailand) "Somewhere Someone Sometime" Pal, 10:52 min, Color, Sound, 2021.
Concept:
Sometimes, someone who's in somewhere spends time on something.
56. Tutsiri Jantacharee (Thailand) "The rhythm of pursuing happiness and passion" Pal, Color, Sound, 1.29min., 2017.
Concept:
When have rhythm ready!... Fans everyone can run to find get happiness and passion always.
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