Artist lists: EVA-21-2024
1. Anchisa Rungrueng (Thailand) “Heads up” Color, Sound, 2.20 min., 2024.
2. Anne Schöne (alias Susanna Schoenberg) (Germany) “Pill & Drop 1 to 4” Color, Sound, 5.14 min., 2023.
3. Komson Nookiew (Thailand) “Walk” Color, Sound, 3.30 min., 2023.
4. Anne Schöne (alias Susanna Schoenberg) (Germany) “Pill & Drop 5 to 6” Color, Sound, 3.22 min., 2023.
Concept:
recording produces forms; (good) forms (may) remain (longer).
5. Manasak Khlongchainan (Thailand) “Orchard” Color, Sound, 5 min., 2020.
6. AmiRali Bashiri (Iran) “Input as Output as Input” Color, Sound, 5.10 min., 2023.
Concept:
This project is a film with a duration of five minutes and ten seconds, selected from of 160 minutes of film footage based on a never-ending loop. It displays output of four cameras, each having recorded 40 Minutes of experimental practice with audio-visual materials. The concept of this experiment is based on an interview setting. The interaction between two monitors is a metaphorical representation of two interviewers in a mainstream broadcast. It was inspired by my work for mainstream TV productions and video formats in Iran. There, media work needs to obey various restrictions and socio-political rules. In my artistic projects, I aim to shake rules as much as possible. Therefore, I used TV equipment to make a short film defying common rules and compositions. This film deliberately features “errors” in camera movement and sound compositions. I experienced the duality between social norms and private life myself. Based on my own experience as a queer person, my film aims to portray multiple layers of life. The film`s multiple compositions aim to convey a non-binary mentality. Various viewing angles represent a freedom and flexibility which may be perceived as an error by oppressive powers.
7. Jaruwan Sutthiso (Thailand) “Ground Cupid” Color, Sound, 2.24 min., 2024.
8. Azam Shadpour (Iran) “Try to hear the low voice” Color, Sound, 1.13 min., 2023.
9. Methawee Phansansao, Tanachot Siripojanakun,Ratchata Promprom, Sirachat Hemsirirat (Thailand) “The Stairs” Color, Sound, 8.03 min., 2023.
10. Çağla Gillis (Turkey) “here and there (in between)” Color, Sound, 5.41 min., 2023.
11. Natpisit Sukontapatipak (Thailand) “SMASH IT !” Color, Sound, 6.09 min., 2023.
12. Çağla Gillis (Turkey) “Cartography of Matter” Color, Sound, 3.38 min., 2023.
13. Natnaran Bualoy (Thailand) “The repetitive consciousness and the sound that floats on the wind” Color, Sound, 5.27 min., 2024.
14. Debora Fede (Italy) “Standby dreaming “ Color, Sound, 36 Seconds., 2024.
Concept:
Standby dreaming is developed around mental journey of growth within oneself, in search of our memories, our experiences.Two young girls ,identities often subject to the constraints imposed by society show their soul dressed as a white wear as point of their pure identity, dancing in front of the sea ,a sea as a life , like we are a pure identity inside the mother s womb , and they go inside the water like to be reconnected again with their origin . Calm waves bring back the calmness and peace sought.
15. Nithiphat Hoisangthong (Thailand) “(AI) dentity” Color, Sound, 1.16 min., 2024.
16. Doris Jauk-Hinz (Austria) “The Edelweiss: used - abused” Colour, Sound, 11.13 min., 2022
Concept:
The power of the extract of the extremely resistant plant is staged in its small size and brought together with the great cultural myth of Edelweiss. The installation focusses on the valuable Edelweiss Acid with pioneering properties in medicine and cosmetics.
Although in different proportions and concentrations, the mill as an exhibition space also stands for processes of extracting culture worth living from nature. Flour made from ground cereal grains was/is the basis for the production of bread - like the primal food.
17. Pitchaporn Somjai (Thailand) “57-57/1” Color, Sound, 2.05 min., 2024.
18. Eva Urspung (Austria) “In The Fog” Color, Sound, 17.28 min., 2023.
19. Praifa Patheepphoemphong (Thailand) “Alone” Color, Sound, 4.49 min. 2023-2024.
20. Eva Urspung (Austria) “Indigo Haven” Color, Sound, 5.06 min., 2023.
21. Pinchart Saovaros (Thailand) “Feed” Color, Sound, 5.08 min., 2024.
22. Evamaria Schaller (Austria) “TRANSform” Color, Sound, 6.54 min., 2023.
23. Pannaphat Meesitdee (Thailand) " You didn’t notice but your existence did" Color, Sound, 25.03 mins., 2023.
Concept:
The social and political phenomena, both in the past and present, are in a constant state of transformation towards the future. Finding the starting point of interconnectedness is challenging, and it is impossible to comprehend the directions and causes of these developments. This series of works are created by observing the contextual differences in surrounding spaces and questioning the present moment, which is composed of events that have been affected by past periods. It combines personal narratives as collective memory, small-narrative, structured, and connected through history, space, and time. The results depict the process of deterritorialization through the context of dismantling territorial boundaries that occur among people of different races and nations. It explores the urban and rural settings within the memories that originated during the Cold War era, the post-World War II development, and the crucial emergence of mapping and surveying technologies during the war. It merges narratives from both sides of the border between the Cambodian and Thai people, portraying perspectives, ways of life, dreams, migrations, and the perpetual movements of individuals. Seeks to discover the points of connection between life and war, which are significant variables in the invention of mapping, power, technologies, and their fusion within the proximity of border areas, enabling adaptation to the ever-changing currents of the era.
24. Ebrahim Eskandari (Iran) “Simurgh” Color, Sound, 3.05 min., 2023.
25. Phanthawat Wonghiriwat (Thailand) “Formless Matter” Color, Sound, 2.29 min., 2023.
26. Ekathep Michaels (Thai-French) “Resonance of Form” Color, Sound, 1.51 min., 2024.
Concept:
“Resonance of Form” explores the unending pursuit of aesthetic ideals within the gay community through the lens of the homo-gaze. This digital artwork captures a male figure, nude and veiled in a diaphanous cloth that dances in ceaseless winds—a visual metaphor for the elusive perfection sought by many. Accompanied by the methodical cadence of a typewriter, the piece weaves a soundscape that underscores the continuous scripting of beauty standards. This composition offers a poignant reflection on the intricate dance between self-identity and societal expectations, inviting viewers to ponder the ephemeral yet enduring beauty in the pursuit of personal truth within the Thai gay narrative.
27. Gabriella Viczne-Baba (USA) “DEEP GARDEN” Color, Sound, 2.26 min., 2023.
28. Pasutt Kanrattanasutra (Thailand) “Untitled” Color, Sound, 1.00 min., 2024.
29. Gertrude Moser-Wagner (Austria) “Starving” Color, Sound, 6.48 min., 2018.
30. Poramet Authit (Thailand) “If you see yourself you should to kill it !!” Color, Sound, 1.15 min., 2024.
Concept:
Doppelganger is a German folk belief describing the phenomenon of encountering one's double, which is considered a harbinger of bad luck, illness, and danger. This concept is used in my work to create a sense of fear and twists, akin to horror movies or typical mysteries.
31. Huang Jieyuan (China) “My Mind As/is Your Memory, My Body As/Is Your Substance” Color, Sound, 2.30 min., 2023.
32. Rachata Yooyim (Thailand) “Sukhothai” color, sound, 2.30 min. 2024.
33. Jonatan Omer Mizrahi (Israel) “Lucky Ember” Color, Sound, 11.46 min., 2022.
Concept:
Another one of the greenhouse film series. a homage to Georges Méliès’s ״Astronomer's Dream” and the first film studio he built, which was actually also a greenhouse - brings about a romantic image of the "greenhouse effect' theory and carbon capitalism.
34. Rachanikon Wongsurin (Thailand) “Alone” Color, Sound, 3.12 min., 2024.
Concept:
Loneliness and the Feeling of Being "Alone" The feeling of being alone conveys an emotion devoid of companionship with others. It reflects a mindset that dislikes chaos and prefers solitude. Looking outward with a sense of emptiness, what once was there is now gone.
35. Jan Machacek (Austria) “EWIGE 80en” Color, Sound, 35.09 min., 2023.
36. Supakit Seksuwan (Thailand) “5012 A.D.” Color, Sound, 2.53 min., 2021.
37. Leopold Kessler (Austria) “Synchronization Hammok” Color, Sound, 5.47 min., 2023.
38. Supakit Seksuwan (Thailand) “Open at the close” Color, Sound, 12.11 min., 2009.
39. Lesia Kvitka (Ukraine) “Der Augenblick” Color, Sound, 1.55 min., 2023.
Concept:
The "Der Augenblick" project was conceived during the summer of 2023 amidst heightened anxiety surrounding the potential for a nuclear catastrophe. Originating as an experiment in generative animation, it gradually evolved into a therapeutic endeavor involving artificial intelligence.
Throughout the creative process, the artist's reflections consistently turned towards the recognition that the prevailing anthropocentric paradigm of society, characterized by frivolity and a parasitic mode of existence, is inexorably leading towards catastrophic consequences. There exists a conviction that nature's formidable force will ultimately digest and transform even the most harrowing experiences, yet for humanity, such transformation may come too late. The project thus serves as an exploration of the delicate interplay between technological experimentation, ecological consciousness, and a profound contemplation of the looming ecological crisis, serving as a poignant commentary on the ramifications of collective human actions.
40. Lisa Puchner (Austria) “Horizon Noise” Color, Sound, 6.10 min., 2023.
41. Sakonpat Chotpatthamanon (Thailand) “Becoming a Soul or Digital?” Color, Sound, 1.15 min., 2023.
42. Lisa Puchner (Austria) “Spaghetti Spaghetti” Color, Sound, 1.56 min., 2023.
43. Supakit Seksuwan (Thailand) “Day Lives” Color, Sound, 12.11 min., 2012.
44. Liuxizi Yang (China) “Blue Moon” Color, Sound, 2.34 min., 2023.
Concept:
Over a period of a hundred years, from 1951 to 2050, there were only four times a super blue moon, in 1996, 2010, 2023; the next time in 2029. The third time the perigee full moon appears, it shines white reflective.
45. Suparome Pisitpun (Thailand) “The Standard Podcast - R U OK” Color, Sound, 1.34 min., 2023.
46. Michaela Grill (Austria) “Under the Microscope” Color, Sound, 7.05 min., 2021.
47. Siriwan Audomkawkanchana (Thailand) “Am I falling down?” Color, Sound, 1.53 min., 2024.
Concept:
The transformation from traumatic childhood experiences to growing up with wounds and imperfections—both physically and mentally—shapes our perspective towards external stimuli throughout our lives. This growth varies, much like a plant that is fragile as a seedling. If it encounters stimuli, actions, environmental conditions, or impacts, it will transform according to what it experiences, expressing itself through emotions, actions, and physical characteristics in meaningful ways.
48 Mohsen M Shasha (Iran) “Stalker in the Age of Modern Poetry” Color, Sound, 7.32 min., 2023.
49. Supapong Laodheerasiri (Thailand) “A HERD OF CATTLE” Color, Sound, 1.00 min., 2024.
50. Nadine Karl (Germany) “Dreamy celebration” Color, Sound, 19.48 min., 2023.
Concept:
celebrate with me even if I don't notice it
51. Treerat Leena (Thailand) “Misinterpretation” Color, Sound, 5.39 min., 2023.
52. Onur Sekmen (Turkey) “Gomboc in Space” Color, Sound, 5.11 min., 2023.
53. Thanawit Honghin (Thailand) “Epic Battle” Color, Sound, 2 min., 2024.
Concept:
It is a complex battle spanning multiple phases that deviate from the original world, diverging from the initial scene only to loop back to the beginning. It resembles matter that resets and propels itself forward in the same manner, colored by vibrant lines. This is a fluid struggle to push oneself ahead, seemingly an endless fight.
54. Susanna Schoenberg, Ji Hyun Park, Elmedina Rausch, Mis N., Franziska Windisch (Dusseldorf Academy, Germany) “Segment Version A Park” “Teil 1” Color, Sound, 12.10 min., 2023.
55. Tuksina Pipitkul (Thailand) “Friendly Chiang Mai” Color, Sound, 1.20 min., 2024.
Concept:
This Filter Effect is an interactive feature available on social media that takes you on a virtual tour of Chiang Mai, Thailand's second capital. Simply scan the QR code from the video and interact with the Filter Effect by showing facial expressions such as smiling, opening your mouth in surprise, making a kissing face, and nodding your head. The background of the Filter Effect will change to display various important landmarks in Chiang Mai.
56. Stephanie Bergwinkl (Germany) “we pretend not to see” Color, Sound, 7.47 min., 2023.
57. Wuttin Chansataboot (Thailand) “Stranger (s)” Color, Sound, 5.28 min., 2024.
58. Werner Jauk & Laura Sophie Meyer (Austria-Germany) “Ver-Hand-lung versus? Ver-Hand-eln I scrabble & scribble - medial forms of creating worlds, Color, Sound, 4.57 min., 2022.
Concept:
The video is a documentation of an installation of an epistemological media-art project at the Festival Ars Electronica 2022. The work is based on the German language, which allows „Ver-hand-lung“/negotiation to be etymologically derived from „ver-hand-eln“ through „handling“ hands. Cultural negotiation based on language is formalized in a playful way in „scrabble“.
Im-mediate bodily negotiation is formalized in „scribble“, the game with „tension-relaxation“ in physical interaction (by hands). What Wittgenstein already assumed can be interpreted today as a conceptual metaphor of physical experience. Culturally reinforced linguistic and culturally repressed physical forms are not juxtaposed - physicality is embodied into language. The AI-based sonification of seemingly thinking interaction and bodily interaction makes this "embodied cognition" embedded in language to be experienced in the installation, the video "tells" about it.
59. Wannisa Chaimongkol (Thailand) “POST SEX DEPRESSION” Color, Sound, 7.05 min., 2023.
60. Wasinee Kongderm (Thailand) “Dancing in my room” Color, Sound, 3.56 min., 2023.
61. Weerapong Wimuktalop (Thailand) “Umbrella” Color, Sound, 19.00 min., 2023.
62. Yotsaphat Chameesirikul (Thailand) “Calisthenics” Color, Sound, 4.36 min., 2024.
63. Zhou Yinglin (China) “One World, One Dream” Color, Sound, 11.09 min., 2018.
Concept:
This work seeks to explore linguistic and cultural issues in cross-cultural communication under the oppression of the encroachment of the dominant language and culture. The artist has created a virtual world called MONDO, the Esperanto word for "world". The world is conceived as a utopia that uses Esperanto as its language and includes "citizens of the world" as its inhabitants. , in which there is a public works metaphor of the Tower of Babel, aiming to create a common world.
1. Anchisa Rungrueng (Thailand) “Heads up” Color, Sound, 2.20 min., 2024.
2. Anne Schöne (alias Susanna Schoenberg) (Germany) “Pill & Drop 1 to 4” Color, Sound, 5.14 min., 2023.
3. Komson Nookiew (Thailand) “Walk” Color, Sound, 3.30 min., 2023.
4. Anne Schöne (alias Susanna Schoenberg) (Germany) “Pill & Drop 5 to 6” Color, Sound, 3.22 min., 2023.
Concept:
recording produces forms; (good) forms (may) remain (longer).
5. Manasak Khlongchainan (Thailand) “Orchard” Color, Sound, 5 min., 2020.
6. AmiRali Bashiri (Iran) “Input as Output as Input” Color, Sound, 5.10 min., 2023.
Concept:
This project is a film with a duration of five minutes and ten seconds, selected from of 160 minutes of film footage based on a never-ending loop. It displays output of four cameras, each having recorded 40 Minutes of experimental practice with audio-visual materials. The concept of this experiment is based on an interview setting. The interaction between two monitors is a metaphorical representation of two interviewers in a mainstream broadcast. It was inspired by my work for mainstream TV productions and video formats in Iran. There, media work needs to obey various restrictions and socio-political rules. In my artistic projects, I aim to shake rules as much as possible. Therefore, I used TV equipment to make a short film defying common rules and compositions. This film deliberately features “errors” in camera movement and sound compositions. I experienced the duality between social norms and private life myself. Based on my own experience as a queer person, my film aims to portray multiple layers of life. The film`s multiple compositions aim to convey a non-binary mentality. Various viewing angles represent a freedom and flexibility which may be perceived as an error by oppressive powers.
7. Jaruwan Sutthiso (Thailand) “Ground Cupid” Color, Sound, 2.24 min., 2024.
8. Azam Shadpour (Iran) “Try to hear the low voice” Color, Sound, 1.13 min., 2023.
9. Methawee Phansansao, Tanachot Siripojanakun,Ratchata Promprom, Sirachat Hemsirirat (Thailand) “The Stairs” Color, Sound, 8.03 min., 2023.
10. Çağla Gillis (Turkey) “here and there (in between)” Color, Sound, 5.41 min., 2023.
11. Natpisit Sukontapatipak (Thailand) “SMASH IT !” Color, Sound, 6.09 min., 2023.
12. Çağla Gillis (Turkey) “Cartography of Matter” Color, Sound, 3.38 min., 2023.
13. Natnaran Bualoy (Thailand) “The repetitive consciousness and the sound that floats on the wind” Color, Sound, 5.27 min., 2024.
14. Debora Fede (Italy) “Standby dreaming “ Color, Sound, 36 Seconds., 2024.
Concept:
Standby dreaming is developed around mental journey of growth within oneself, in search of our memories, our experiences.Two young girls ,identities often subject to the constraints imposed by society show their soul dressed as a white wear as point of their pure identity, dancing in front of the sea ,a sea as a life , like we are a pure identity inside the mother s womb , and they go inside the water like to be reconnected again with their origin . Calm waves bring back the calmness and peace sought.
15. Nithiphat Hoisangthong (Thailand) “(AI) dentity” Color, Sound, 1.16 min., 2024.
16. Doris Jauk-Hinz (Austria) “The Edelweiss: used - abused” Colour, Sound, 11.13 min., 2022
Concept:
The power of the extract of the extremely resistant plant is staged in its small size and brought together with the great cultural myth of Edelweiss. The installation focusses on the valuable Edelweiss Acid with pioneering properties in medicine and cosmetics.
Although in different proportions and concentrations, the mill as an exhibition space also stands for processes of extracting culture worth living from nature. Flour made from ground cereal grains was/is the basis for the production of bread - like the primal food.
17. Pitchaporn Somjai (Thailand) “57-57/1” Color, Sound, 2.05 min., 2024.
18. Eva Urspung (Austria) “In The Fog” Color, Sound, 17.28 min., 2023.
19. Praifa Patheepphoemphong (Thailand) “Alone” Color, Sound, 4.49 min. 2023-2024.
20. Eva Urspung (Austria) “Indigo Haven” Color, Sound, 5.06 min., 2023.
21. Pinchart Saovaros (Thailand) “Feed” Color, Sound, 5.08 min., 2024.
22. Evamaria Schaller (Austria) “TRANSform” Color, Sound, 6.54 min., 2023.
23. Pannaphat Meesitdee (Thailand) " You didn’t notice but your existence did" Color, Sound, 25.03 mins., 2023.
Concept:
The social and political phenomena, both in the past and present, are in a constant state of transformation towards the future. Finding the starting point of interconnectedness is challenging, and it is impossible to comprehend the directions and causes of these developments. This series of works are created by observing the contextual differences in surrounding spaces and questioning the present moment, which is composed of events that have been affected by past periods. It combines personal narratives as collective memory, small-narrative, structured, and connected through history, space, and time. The results depict the process of deterritorialization through the context of dismantling territorial boundaries that occur among people of different races and nations. It explores the urban and rural settings within the memories that originated during the Cold War era, the post-World War II development, and the crucial emergence of mapping and surveying technologies during the war. It merges narratives from both sides of the border between the Cambodian and Thai people, portraying perspectives, ways of life, dreams, migrations, and the perpetual movements of individuals. Seeks to discover the points of connection between life and war, which are significant variables in the invention of mapping, power, technologies, and their fusion within the proximity of border areas, enabling adaptation to the ever-changing currents of the era.
24. Ebrahim Eskandari (Iran) “Simurgh” Color, Sound, 3.05 min., 2023.
25. Phanthawat Wonghiriwat (Thailand) “Formless Matter” Color, Sound, 2.29 min., 2023.
26. Ekathep Michaels (Thai-French) “Resonance of Form” Color, Sound, 1.51 min., 2024.
Concept:
“Resonance of Form” explores the unending pursuit of aesthetic ideals within the gay community through the lens of the homo-gaze. This digital artwork captures a male figure, nude and veiled in a diaphanous cloth that dances in ceaseless winds—a visual metaphor for the elusive perfection sought by many. Accompanied by the methodical cadence of a typewriter, the piece weaves a soundscape that underscores the continuous scripting of beauty standards. This composition offers a poignant reflection on the intricate dance between self-identity and societal expectations, inviting viewers to ponder the ephemeral yet enduring beauty in the pursuit of personal truth within the Thai gay narrative.
27. Gabriella Viczne-Baba (USA) “DEEP GARDEN” Color, Sound, 2.26 min., 2023.
28. Pasutt Kanrattanasutra (Thailand) “Untitled” Color, Sound, 1.00 min., 2024.
29. Gertrude Moser-Wagner (Austria) “Starving” Color, Sound, 6.48 min., 2018.
30. Poramet Authit (Thailand) “If you see yourself you should to kill it !!” Color, Sound, 1.15 min., 2024.
Concept:
Doppelganger is a German folk belief describing the phenomenon of encountering one's double, which is considered a harbinger of bad luck, illness, and danger. This concept is used in my work to create a sense of fear and twists, akin to horror movies or typical mysteries.
31. Huang Jieyuan (China) “My Mind As/is Your Memory, My Body As/Is Your Substance” Color, Sound, 2.30 min., 2023.
32. Rachata Yooyim (Thailand) “Sukhothai” color, sound, 2.30 min. 2024.
33. Jonatan Omer Mizrahi (Israel) “Lucky Ember” Color, Sound, 11.46 min., 2022.
Concept:
Another one of the greenhouse film series. a homage to Georges Méliès’s ״Astronomer's Dream” and the first film studio he built, which was actually also a greenhouse - brings about a romantic image of the "greenhouse effect' theory and carbon capitalism.
34. Rachanikon Wongsurin (Thailand) “Alone” Color, Sound, 3.12 min., 2024.
Concept:
Loneliness and the Feeling of Being "Alone" The feeling of being alone conveys an emotion devoid of companionship with others. It reflects a mindset that dislikes chaos and prefers solitude. Looking outward with a sense of emptiness, what once was there is now gone.
35. Jan Machacek (Austria) “EWIGE 80en” Color, Sound, 35.09 min., 2023.
36. Supakit Seksuwan (Thailand) “5012 A.D.” Color, Sound, 2.53 min., 2021.
37. Leopold Kessler (Austria) “Synchronization Hammok” Color, Sound, 5.47 min., 2023.
38. Supakit Seksuwan (Thailand) “Open at the close” Color, Sound, 12.11 min., 2009.
39. Lesia Kvitka (Ukraine) “Der Augenblick” Color, Sound, 1.55 min., 2023.
Concept:
The "Der Augenblick" project was conceived during the summer of 2023 amidst heightened anxiety surrounding the potential for a nuclear catastrophe. Originating as an experiment in generative animation, it gradually evolved into a therapeutic endeavor involving artificial intelligence.
Throughout the creative process, the artist's reflections consistently turned towards the recognition that the prevailing anthropocentric paradigm of society, characterized by frivolity and a parasitic mode of existence, is inexorably leading towards catastrophic consequences. There exists a conviction that nature's formidable force will ultimately digest and transform even the most harrowing experiences, yet for humanity, such transformation may come too late. The project thus serves as an exploration of the delicate interplay between technological experimentation, ecological consciousness, and a profound contemplation of the looming ecological crisis, serving as a poignant commentary on the ramifications of collective human actions.
40. Lisa Puchner (Austria) “Horizon Noise” Color, Sound, 6.10 min., 2023.
41. Sakonpat Chotpatthamanon (Thailand) “Becoming a Soul or Digital?” Color, Sound, 1.15 min., 2023.
42. Lisa Puchner (Austria) “Spaghetti Spaghetti” Color, Sound, 1.56 min., 2023.
43. Supakit Seksuwan (Thailand) “Day Lives” Color, Sound, 12.11 min., 2012.
44. Liuxizi Yang (China) “Blue Moon” Color, Sound, 2.34 min., 2023.
Concept:
Over a period of a hundred years, from 1951 to 2050, there were only four times a super blue moon, in 1996, 2010, 2023; the next time in 2029. The third time the perigee full moon appears, it shines white reflective.
45. Suparome Pisitpun (Thailand) “The Standard Podcast - R U OK” Color, Sound, 1.34 min., 2023.
46. Michaela Grill (Austria) “Under the Microscope” Color, Sound, 7.05 min., 2021.
47. Siriwan Audomkawkanchana (Thailand) “Am I falling down?” Color, Sound, 1.53 min., 2024.
Concept:
The transformation from traumatic childhood experiences to growing up with wounds and imperfections—both physically and mentally—shapes our perspective towards external stimuli throughout our lives. This growth varies, much like a plant that is fragile as a seedling. If it encounters stimuli, actions, environmental conditions, or impacts, it will transform according to what it experiences, expressing itself through emotions, actions, and physical characteristics in meaningful ways.
48 Mohsen M Shasha (Iran) “Stalker in the Age of Modern Poetry” Color, Sound, 7.32 min., 2023.
49. Supapong Laodheerasiri (Thailand) “A HERD OF CATTLE” Color, Sound, 1.00 min., 2024.
50. Nadine Karl (Germany) “Dreamy celebration” Color, Sound, 19.48 min., 2023.
Concept:
celebrate with me even if I don't notice it
51. Treerat Leena (Thailand) “Misinterpretation” Color, Sound, 5.39 min., 2023.
52. Onur Sekmen (Turkey) “Gomboc in Space” Color, Sound, 5.11 min., 2023.
53. Thanawit Honghin (Thailand) “Epic Battle” Color, Sound, 2 min., 2024.
Concept:
It is a complex battle spanning multiple phases that deviate from the original world, diverging from the initial scene only to loop back to the beginning. It resembles matter that resets and propels itself forward in the same manner, colored by vibrant lines. This is a fluid struggle to push oneself ahead, seemingly an endless fight.
54. Susanna Schoenberg, Ji Hyun Park, Elmedina Rausch, Mis N., Franziska Windisch (Dusseldorf Academy, Germany) “Segment Version A Park” “Teil 1” Color, Sound, 12.10 min., 2023.
55. Tuksina Pipitkul (Thailand) “Friendly Chiang Mai” Color, Sound, 1.20 min., 2024.
Concept:
This Filter Effect is an interactive feature available on social media that takes you on a virtual tour of Chiang Mai, Thailand's second capital. Simply scan the QR code from the video and interact with the Filter Effect by showing facial expressions such as smiling, opening your mouth in surprise, making a kissing face, and nodding your head. The background of the Filter Effect will change to display various important landmarks in Chiang Mai.
56. Stephanie Bergwinkl (Germany) “we pretend not to see” Color, Sound, 7.47 min., 2023.
57. Wuttin Chansataboot (Thailand) “Stranger (s)” Color, Sound, 5.28 min., 2024.
58. Werner Jauk & Laura Sophie Meyer (Austria-Germany) “Ver-Hand-lung versus? Ver-Hand-eln I scrabble & scribble - medial forms of creating worlds, Color, Sound, 4.57 min., 2022.
Concept:
The video is a documentation of an installation of an epistemological media-art project at the Festival Ars Electronica 2022. The work is based on the German language, which allows „Ver-hand-lung“/negotiation to be etymologically derived from „ver-hand-eln“ through „handling“ hands. Cultural negotiation based on language is formalized in a playful way in „scrabble“.
Im-mediate bodily negotiation is formalized in „scribble“, the game with „tension-relaxation“ in physical interaction (by hands). What Wittgenstein already assumed can be interpreted today as a conceptual metaphor of physical experience. Culturally reinforced linguistic and culturally repressed physical forms are not juxtaposed - physicality is embodied into language. The AI-based sonification of seemingly thinking interaction and bodily interaction makes this "embodied cognition" embedded in language to be experienced in the installation, the video "tells" about it.
59. Wannisa Chaimongkol (Thailand) “POST SEX DEPRESSION” Color, Sound, 7.05 min., 2023.
60. Wasinee Kongderm (Thailand) “Dancing in my room” Color, Sound, 3.56 min., 2023.
61. Weerapong Wimuktalop (Thailand) “Umbrella” Color, Sound, 19.00 min., 2023.
62. Yotsaphat Chameesirikul (Thailand) “Calisthenics” Color, Sound, 4.36 min., 2024.
63. Zhou Yinglin (China) “One World, One Dream” Color, Sound, 11.09 min., 2018.
Concept:
This work seeks to explore linguistic and cultural issues in cross-cultural communication under the oppression of the encroachment of the dominant language and culture. The artist has created a virtual world called MONDO, the Esperanto word for "world". The world is conceived as a utopia that uses Esperanto as its language and includes "citizens of the world" as its inhabitants. , in which there is a public works metaphor of the Tower of Babel, aiming to create a common world.
64. Harald Hund (Austria) “17 Km.” Color, Sound,10 min., 2023.
65. Darae Baek (South Korea) “IN AND OUT” Color, Sound, 6.37 min., 2023.
66. Jaxton Su (Singapore) “On and On” Color, Sound, 5.11 min., 2022.
Exhibition Venue
Fine Arts Department, Architechture Faculty,
King Mongkut's Institute of Technology, Ladkabang.
19 August - 23 August 2024
School of Fine and Applied Arts,
Bangkok university,
31 August 2024
Painting Department, College of Fine Arts,
Ladkabang, Bangkok.
21-22 October 2024
Faculty of Architecture art and design
Narasuan University
17-18 December 2024
Faculty of Fine and Applied Arts Faculty,
Burapha University
23 - 24 December 2024
Co-Operators Committee
Associated Professor Pitiwat Somthai
Fine and Applied Arts Faculty, Burapha University
Assistant Professor Sakchai Bunin, College of Fine Arts, Bangkok
Fine and Applied Arts Faculty, Burapha University
Assistant Professor Sakchai Bunin, College of Fine Arts, Bangkok
Associated Professor Tuksina Pipitkul
School of Fine and Applied Arts,
Bangkok university,
Bangkok university,
Instructor Rachata Yooyim
Faculty of Architecture art and design
Narasuan University
Assistant Professor Komson Nookiew, Fine Art Department,
Faculty of Architecture art and design
Narasuan University
Assistant Professor Komson Nookiew, Fine Art Department,
King Muangkut's Institute of Technology,
Ladkrabang, Bangkok
Ladkrabang, Bangkok
Susanna Schoenberg
Instructor at Kunstakademie Düsseldorf, Germany
Sabine Marte
Visiting professor at the Time Based Media department,
University of Arts, Linz
David Rych
The Art Academy – Department of Contemporary Art,
University of Bergen, Norway.
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